Tracing Movement: An Artistic Journey in Contact Improvisation – Giulia Ravarotto

La mia esperienza come disegnatrice nei contesti di contact improvisation nasce appena vengo in contatto con la pratica nello spazio della jam.
La jam, cuore della pratica, spazio vuoto dal quale emerge naturalmente quello che è presente; uno spazio in continua trasformazione aperto e contenuto, co- creato in ascolto.
 
Riconosco in quanto danzatrice di essere attratta e di notare specialmente gli elementi compositivi e spaziali.
Con il tempo sono stata sempre più curiosa e invitata a partecipare alle jam portando un lavoro sullo spazio che si articola in diversi linguaggi , movimento , parola e disegno.  
Sento e comprendo con il corpo l’importanza dell’osservazione come modalità di sostegno e partecipazione, e,
mentre osservo attuo una sorta di traduzione personale di quello che accade.
 
Disegnare al ritmo della mia attenzione è muovermi nello spazio della pagina come in uno spazio comunicante con lo spazio di danza. 
Tracciare è un incontro con l’altro, è comprensione, è andare con, è permettermi di innamorarmi dei dettagli cogliendone l’importanza sull’intero spazio della jam. 
 
Mi lascio toccare.
 
E’ anche una pratica che mi insegna ogni volta a lasciare andare qualcosa: per disegnare il movimento ho spesso la sensazione di non disegnare quello che sei ma quello che stai diventando, continuamente.
Il processo che porta al dipinto finale sulla tela è ricco e più importante del risultato. 
Ha un ritmo organico non troppo regolare che include errori ed emozioni. 
E’ appunto, un incontro, e di un incontro porta con sé tutte le caratteristiche.
 
PH. Sara Klacko at letanec
 

My experience as artist in the context of contact improvisation began as soon as I met the practice in the jam space. The jam, the heart of the practice, is an empty space from which what is present naturally emerges; a space in continuous transformation, open and contained, co-created in listening.

As a dancer, I recognize that I am particularly attracted to and I notice the compositional and spatial elements. Over time, I have become increasingly curious and invited to participate in jams, bringing a work on space that is articulated in different languages: movement, words, and drawing. I feel and understand with my body the importance of observation as a way of support and participation, and while I observe, I perform a sort of personal translation of what is happening.

Drawing at the rhythm of my attention means moving on the page as in a space that communicates with the dance space. Tracing is an encounter with the other, it is understanding, it is going with, it is allowing myself to fall in love with the details, capturing their importance in the entire space of the jam.

I let myself be touched.

It is also a practice that teaches me each time to let go of something: drawing movement, I often have the feeling of not drawing what you are but what you are becoming, continuously. The process that leads to the final painting on the canvas is rich and more important than the result. It has an organic rhythm, not too regular, that includes mistakes and emotions. It is, indeed, an encounter, and as an encounter, it carries all its characteristics.

ph.  Sara Klacko at letanec

Living the void – Elisa Ghion

Verbal exchange shapes our dialogical relationship, giving shape to the silences that intersperse words. Silence can therefore be considered a relational place in which we are

Read More »

Linus and Emelie

Linus and Emelie are two professional musicians and sound healing practitioners fromSweden.Emelie has been studying classical percussion and chamber music at Örebrouniversity in Sweden and

Read More »

Circle – Nayeli Špela

A circle is a place where our dance continues and we witness each other through another chanell.  We still improvise and we also allow ourselves

Read More »

Beginner’s Mind – Lior Ophir

“In the beginner’s mind there are many possibilities, in the expert’s mind there are few” Shunryu Suzuki Towards the upcoming autumn contact silence retreat I

Read More »

Who moves who? – Roberto Bellatalla

https://www.contactsilence.it/wp-content/uploads/2022/09/Gana-Bellatalla-Duo-VICINO-LONTANO-2022-II.mp4 Between lines, points, spirals, an invisible thread holds bodies and ropes together, like the grass that grows in the interstices, new forms are generated,

Read More »

Polarità – Elisa Ghion

In this period I am particularly interested in observing how polarities interact with each other. Thepresence of one makes the presence of the other vivid.

Read More »

E=mc2 – Anna Da Pozzo

E = mc 2Did Einstein dance contact? Today at school I explained this wonderful scientific revolution condensed into a formula.When the time comes for this

Read More »

LEAF JAM – Angela Mara Florant

Finding pleasure in every movement.Connecting with the season.Harvesting thoughts,Inspirations.Moments of silence.Focused spaces where we dance.Moving from the insideTo the outside.I don’t know the next stepI

Read More »

ECHOES – Marta Iucci

« Once a Zen Master asked a disciple: ‘Have you seen the snow leopard?”No’, replied the disciple.’Isn’t it wonderful?’ The Master asked him.from «Silence is

Read More »
Tomo Haru

TOMOKOMBU

Here is Tomokombu at work, he will accompany us in the evening jams of the first round of the retreat. We remind you that the

Read More »

6 – 10  April 2023

Gaia Terra, Flambruzzo, Udine

31 Agosto – 4 Settembre 2023

Monterosi, Anghiari, Arezzo

29 October – 2 November 2023

Gaia Terra, Flambruzzo, Udine

CONTACT SILENCE

info@contactsilence.it

CONTACT SILENCE retreats is a social promotion project of LIBERA MENTE APS association

We firmly believe that contact improvisation holds great potential on a social and communicative level and carries within it an unequivocal educational message. In addition to being the vanguard of the natural and authentic movement, it teaches respect for one’s body and the other, nourishing the fundamental need of the human being to physical contact, gives joy and well-being to those who practice it, reconnects man to his creativity and the primordial dimension of the game.